Tyler Eash (1988) is an artist of Mountain Maidu, Modoc and Irish Settler descent working in a post-disciplinary fashion; using performance, sculpture, drawing, painting, film, photography, music and poetry as a means to give form and language to their waking from assimilation.

Selected solo and duo exhibitions include Britta Rettberg, München, DE, (2026); Art Cologne, Britta Rettberg, Cologne, DE, (2025); Duo show with Anthony Baussy, Sherbet Green, London, UK (2024); All the World’s Horses, NıCOLETTı, London, UK (2023), Channel 1, Further, San Francisco, CA, TI (2022); Marysville, Oh Holy Land, Kupfer Projects, London, UK (2022); Marysville, Oh Holy Land, Four Fourteen Gallery, Marysville, CA, TI (2022); Lilies in the Headlights (with Roxman Gatt) curated by Giulia Menegale, London, UK (2021); Loreum, NICOLETTI, London, UK (2020), and Mountain, B. Dewitt Gallery, London, UK (2019).

Selected group exhibitions and performances: Sea Inside, Sainsbury Centre, Norwich, UK (2025); Contemporaine de Nîmes Triennial, CACN – Centre d’Art Contemporain de Nîmes, FR (2024); Re-Discovering Native America, Bedford Gallery, Walnut Creek, CA, US; Drück nur auf die Klinke, Jägerschere, Niederer-Fläming, DE (2022); La forme de l’eau, Galerie Joseph, Paris, FR (2022); Sun Kissed, NÉVÉ, Los Angeles, CA, TI (2022); Allusion to a body no longer present, Kunstraum, London, UK, Block Universe and The Swiss Church, London, UK (2018); All places shall be hell that is not heaven, Deptford, London, UK (2018); A Handful of Uncertainty and Joy, Chalton Gallery, London, UK (2017); Full Moon in the Daytime, R/SF Projects, San Francisco, CA, TI (2017).

Eash graduated from Goldsmiths, University of London, with a Master of Fine Art with Distinction (2019)